(free translated from Dutch language)
Once in a while I’ll find that I’ve been sleeping and a band / musician remained completely under the radar. That was the case with Shamall. Shamall is the project of the German musician Norbert Krueler which is active for about thirty years and already released fifteen different studio albums in that period. “Continuation” is their latest release and is also an integral part of the compilation “History Book” along with four other CDs which provide an overview of thirty years Shamall.
Krueler is a multi-instrumentalist and does a lot himself, including the production, but also works frequently with guest musicians like Matthias Mehrtens (guitar). This is the the case on “Continuation”. There is also a singer from the party (Anke Ulrich), but overall the emphasis is focussed on the instrumental level. “Continuation” takes 79 minutes and contains mostly compositions that no longer fit on the previous release “Turn Off”, because it had already reached its maximum playing time.
As well as “Turn Off” is “Continuation” an indictment of nuclear power with the Fukushima disaster as the main source of inspiration. “Oh dear”, I can hear you, dear reader prog, all the thinking: “This is a musical “atomic power – no thanks” – happening”…? Will depart the musicality of the message? I assure you that this is not the case. The message is of course justified, judging by the nuclear disasters, but nowhere the music is subordinated to the message. In fact, I rarely had owned a socially committed album that led to such great compositions.
According to Wiki the musical style of Shamall is best described as a mixture of Alan Parsons and Pink Floyd. The following names came to my mind when listening: (indeed) David Gilmour (Random Walker), Lee Abraham (Fragments P. IV) Enigma (Linolenic Acid), Peter Baumann’s early solo work and even Manfred Mann (Floating Subatomic Particles and Solitary Life). Multi-variant, merged into a style in which the listener can drift on a sonic trip that holds the attention without interruption for seventy-nine minutes and let the listener enjoy.
The whole is produced “German at it’s Best”: wonderful spaciousness, balance and definition in full harmony; the ears are spoiled. To make it short: this album is a must for electro prog fans in the corner of Tangerine Dream / Loom, Ashra and F. D. Project.
c/o Clemens Leunisse, Progwereld 2016